Research Article Details

Citation Journal Title: International Jordanian Journal Aryam for Humanities and Social Sciences

Citation Title: The fashion and clothing model in the Abbasid society during the second and third centuries AH

Citation Author: Salwa Al-Tijani Fadl Jabrallah

Citation Affiliation: Mu'tah University, Faculty of Arts, Jordan

Citation Volume: 3

Citation Issue: 1

Citation Year: 2021

Citation DOI: https://doi.org/10.65811/315

Citation PDF: https://aijj.org/wp-content/uploads/2026/02/IJJA-VOL-3-ISSUE-1NO-5-2021-PP-95-117-PDF-1.pdf

Received Date: 4 January 2021

Revised Date: 10 February 2021

Accepted Date: 12 March 2021

Publication Date: 22 March 2021

First Page: 95

Citation Abstract: This study traced the style and forms of fashion and clothing in the Abbasid society during the second and third centuries AH,  the study aims to show the disparity in clothing between the classes of Abbasid society, where the caliphs, ministers and leaders wore the most sophisticated clothes and the role of the model was sponsored by them, and their official uniforms differed from the clothes of their own councils Where each occasion has its own uniform, and the successors of the Banu al-Abbas were interested in fashion and the gaining of luxurious clothes, and they imitated the Persian kings from Persia, so people followed them and were affected by them, in addition to the fact that the clothes covered  all parts of body such as turbans, hoods, body covers, footwear, and others. The importance of the study is in identifying the objectives of dress in the Abbasid era, which is to impart aspects of urbanization to society, such as adornment and beautification, so their methods of acquiring clothes varied and focusing on the precious and remarkable, as well as standing on the interest of the Caliphs and their keenness on the appearance. The Caliph was keen on Gifts to his followers on many occasions, especially from luxurious textiles and expensive clothes.

Citation Keywords: Model, The society, Dresses, The public, Abbassi.